- Jules Verne & Icelandic Horse
- Icelandic Pony in William Morris' Kitchen
- Icelandic Horse Books
- Icelandic Breeding Standards
- Gaits of the Icelandic Horse
- Fun Facts--Icelandic Horse
- Best of Blessi Stories
- Fun Facts-Blessi
- Is this trotty, pacey or clear tolt or rack
- MCOA Hereditary Eye Defect in Silver Dapples
- Bone Spavin in the Icelandic Horse
- Velkomin, Bienvenu--How to translate Blessiblog
- MtDNA Origins of the Icelandic Horse
- Icelandic Horse Twins--A Wonderful and Cautionary Tale
- Using World Fengur
Wednesday, January 4, 2012
Icelander--The Metaphysical Mystery Novel
At its simplest, the mystery revolves around the murder of Shirley MacGuffin. Per Hitchcock, the term "MacGuffin" is "the mechanical element that usually crops up in any story. In crook stories it is almost always the necklace and in spy stories it is most always the papers."
Source: Marshall Deutelbaum, Leland A. Poague (2009) A Hitchcock reader p.114. John Wiley and Sons. A MacGuffin is essentially meaningless in itself but the search for it drives the plot of the book/movie.
"Our Heroine" is the offspring of Emily Bean-Ymirson, the famous crime solver, and Jon Ymirson, an adventurer and anthropologist. She is trying desperately not to be dragged into solving the murder of her friend since she has spent her youth being involved in her mother's adventures, which are immortalized in the 12-volume fictionalized series by Magnus Valison. There are a host of supporting characters from Wible & Pacheco, the "philosophical investigators;" Garm the Dachshund; Gerd, Queen of the Vanatru; and the Refurserkir, fox-fur wearing Ninjas who serve Gerd.
The best way to describe the style of this book is to compare it to how the author describes the placement of Magnus Valison's novel The Case of the Consternated Cossack which is located between Herman Melville's The Confidence Man and Sir Author Conan Doyle's Valley of Fear but above and below books by Vladimir Nabokov and Elizabeth Peters (author of the Amelia Peabody mysteries). In other words, Icelander marries the writing style of Nabokov with the plotting of Peters within a self-referential literary romp which adds references to Scandinavian mythology and 17th century English literature.